Studio Wieman, Amsterdam, NL
3 part installation: garden fences, rotating platform, fake grass
This work examines the white picket fence as a symbol of control disguised as domestic ideal. Despite its benign appearance, the fence continues to project a quiet violence. It asserts that land must be defined, controlled, and defended, marking boundaries not only physically but ideologically by excluding those who fall outside the norms it upholds.
Marvin Heberger 